This room invites visitors to discover what is normally invisible: the creative process that transforms an idea into a jewel. Each artist follows a personal method made of gestures, materials, trials, and errors, and this very journey reveals the creator’s true identity.
From Edgardo Mannucci’s material compositions, which translate his informal energy into tangles of glue, metals, and colors, to Mario Pinton’s geometric explorations through golden paper and thin sheets to study light, rhythm, and volume. Up to Gianmaria Buccellati’s precise drawings, measured to the millimeter to guide every stage of execution.
“Making” means moving from intuition to form, from mark to matter: a journey into the jewelry workshop, where the work comes to life long before gold, gemstones, and their final perfection.
Ciondolo, EDGARDO MANNUCCI
Pendant, 1978
copper, jade; 8 × 8.5 cm
Arcevia, Barbara D’Incecco Collection
Broche a cartiglio, MARIO PINTON
Study for Cartouche brooch, 1994
metal; 3.6 × 3.5 cm
Padua, Private collection
Broche Ovale, BUCCELLATI
Oval brooch, 2014–2015
White gold, brilliant-cut diamonds;
4 × 3.7 cm
Florence, Gianmaria Buccellati Foundation









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