Here, jewellery becomes micro-sculpture: tiny faces, deities, myths, and symbols take shape through the delicate art of the cameo, where stones and shells are carved in intaglio or high relief, exploiting the natural chromatic layers of the material.
From the Alexandrian age to Ancient Rome, from the Renaissance to Neoclassicism, cameos accompany every return to the classical world. Cherished by empresses, European aristocracies, and renowned goldsmithing families such as the Castellani, Rome and Torre del Greco became extraordinary production hubs, transforming these small images into wearable jewels: bracelets, brooches, necklaces, and parures.
The exhibition brings ancient cameos into dialogue with 19th-century archaeological revivals, refined shell carvings, striking lava stone pieces, and contemporary expressions. A gallery of “miniature visions” where every detail tells, in small scale, the imagination of entire eras.
Spilla con cammeo, PAOLO NERI
Alfredo Ravasco workshop cameo brooch depicting the profile of a male divinity, third quarter of the 19th century; 1925 ca.
gold, chalcedony-onyx, diamonds;
7 × 5 cm,
Milan, Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci
Spilla con cammeo, ASCIONE
Cameo brooch depicting Cupids from the House of Vettii in Pompeii, post 1894
sardonyx shell, gold; 3 × 4.5 cm
Naples, Ascione Coral Museum
Orecchini, ASCIONE
Earrings with cameos depicting ‘Pompeii Dancers’, end 19th–beginning 20th centuries
sardonyx shell, gold; 4.5 × 1.2 cm
Naples, Ascione Coral Museum
Spilla con cammeo, PASQUALE CARMOSINO
Cameo brooch depicting a cherub on a dolphin, late 19th century
lava stone, gold, 2.4 × 4.6 cm
Naples, Ascion Coral Museum









Follow us on social networks
Subscribe to the newsletter